Storied Property is
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Storied Property is about a former home, the oldest surviving structure in Tucson, the block around it, and the spatial fight that unfolded there.
Book Summary
In the heart of downtown Tucson, Arizona, stands La Casa Cordova, an adobe structure located in the Tucson Museum of Art's Historic Block. Often described as the oldest building in the city, its story is far more complicated than timelines suggest.
Reclaiming a local story and the woman that history cast aside.
In Storied Property: María Cordova's Casa, historian and memoirist Lydia R. Otero uncovers the layered history of a home that once belonged to María Navarrete Cordova (1895–1975), who considered herself the rightful heir and authority over the house and the surrounding area's history. Located within the original boundaries of the Presidio San Agustín del Tucsón, the property held both personal and historical significance.
For decades, María Cordova appeared in local newspapers, offering her version of the past and highlighting her family's contributions. She also ran the Cordova Brothers Smoke Shop with her family from their home. In 1972, under the banner of urban renewal, she was removed from the property through eminent domain. She and her family fought back in court, one of the few cases in Tucson where residents tried to resist condemnation. They lost. Their forced removal, however, cleared the way for preservationists to redefine the space. A few years later, the house reopened as a Mexican museum, complete with exposed adobe walls, packed earth floors, and borrowed period furnishings. María's presence was erased.
Storied Property returns María Cordova to the center of the story. Not as a symbol, but as a strategist, business owner, and property holder who understood the stakes. Drawing from court documents, newspapers, and María's reflections, Otero traces how urban renewal and preservation efforts worked in tandem on a contested structure.
Written by a historian rooted in the community, Storied Property is both a critique and a reclamation of a local story about a woman who deserves more than a footnote. It asks what it means to preserve a structure while erasing the people who gave it life and reminds us that what is remembered and what is erased is never accidental.
ENDORSEMENTS
"With equal attention to the archives and to what is missing, Lydia R. Otero shows how art, politics, and power are shaped by what we choose to remember or allow to be forgotten. This is Tucson history at its richest: alive with struggle, beauty, and the will to push back against the bulldozers that threatened to erase it. Storied Property should be required reading for anyone who loves Tucson and for anyone who values its stories of survival and belonging."—MELANI ‘MELE’ MARTINEZ, author of The Molino: A Memoir
"Every city deserves a historian like Lydia R. Otero! In this powerful book, Otero brings to life the story of one of Tucson’s oldest homes and the people who lived in and fought for it. In doing so, Otero not only tells a great story but also underscores its importance to the urgent conversations around belonging, displacement, and whose story gets told."—SUNAURA TAYLOR, author of Disabled Ecologies: Lessons from a Wounded Desert